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  • Modest Musorgsky and Boris Godunov: Myths, Realities, Reconsiderations

    Modest Musorgsky and Boris Godunov: Myths, Realities, Reconsiderations Myths, Realities, Reconsiderations [ , POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    Emerson, Caryl / Oldani, Robert William | Cambridge University Press | 1994³â 01¿ù
    288,560¿ø (5% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 8,660¿ø
    Caryl Emerson (a literary specialist) and Robert William Oldani (a music historian) take a new and comprehensive look at the most famous Russian opera, Modest Musorgsky's Boris Godunov. The result is both a historical study of a famous work and an...
  • Music Education and the Art of Performance in the German Baroque

    Butt, John / Butt, John / Dreyfus, Laurence | Cambridge University Press | 1994³â 01¿ù
    246,870¿ø (5% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 7,410¿ø
    In considering the role of practical music in education, this book attempts to define the art of performance in Germany during the Baroque period.
  • Alban Berg: Master of the Smallest Link

    Alban Berg: Master of the Smallest Link Master of the Smallest Link [ , POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    Adorno, Theodor W. / Hailey, Christopher / Brand, Juliane | Cambridge University Press | 1994³â 01¿ù
    40,060¿ø (5% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 1,210¿ø
    Adorno's study of Austrian composer Alban Berg (1885-1935) is a sui generis document. In addition to Adorno's personal account of of the life and musical works of his mentor, friend, and composition teacher, the book explores the historical and cu...
  • Music in the German Renaissance

    Music in the German Renaissance Sources, Styles, and Contexts [ , POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    Kmetz, John(EDT) | Cambridge University Press | 1994³â 01¿ù
    165,110¿ø (5% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 4,960¿ø
    This collection of fourteen essays, written by an eminent group of scholars, explores the musical culture of the German-speaking realm between c. 1450 and 1600.
  • Vivaldi: The Four Seasons and Other Concertos, Op. 8

    Vivaldi: The Four Seasons and Other Concertos, Op. 8 The Four Seasons and Other Concertos, Op. 8 [ , POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    Everett, Paul | Cambridge University Press | 1996³â 01¿ù
    121,830¿ø (5% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 3,660¿ø
    Vivaldi's celebrated Four Seasons are among the most popular works of all time and these, with the rest of the concertos in Op. 8, represent the composer's remarkable innovation in the field of the Baroque concerto. This detailed guide examines th...
  • Interpreting Bach at the Keyboard

    Interpreting Bach at the Keyboard [ , POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    Badura-Skoda, Paul / Clayton, Alfred(TRN) | Oxford University Press | 1996³â 01¿ù
    147,480¿ø (5% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 4,430¿ø
    Paul Badura-Skoda's text conveys a passion for an informed interpretation of Bach's music based upon a recognition and respect for Bach's musical and intellectual intentions. Copiously illustrated throughout with music examples, Interpreting Bach ...
  • The Dynamics of Harmony

    The Dynamics of Harmony Principles and Practice [ , POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    Pratt, George (Emeritus Professor of Music, Emeritus Professor of Music, Huddersfield University) | Oxford University Press | 1996³â 01¿ù
    112,210¿ø (5% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 3,370¿ø
    A one-year course in the principles and practice of classical harmony. Previously published by the Open University Press, this reissue contains a number of minor corrections. `...an excellent and accessible compendium of harmonic practice...includes ideas for using the keyboard to improvise in the...
  • First Philharmonic: A History of Royal Philharmonic Society

    First Philharmonic: A History of Royal Philharmonic Society A History of the Royal Philharmonic Society [ , POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    Ehrlich, Cyril | OUP Oxford | 1996³â 01¿ù
    200,380¿ø (5% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 6,020¿ø
    Celebrating a venerable institution, this history, based upon exhaustive research in the Society's archives, also addresses wider themes which continue to bear upon concert life: the evolution of repertoire and performance, audience, conductor; networks of recruitment; patronage and the marketplace;...
  • Italian Opera in Late Eighteenth-Century London: The King's Theatre, Haymarket 1778-1791

    Price, Curtis / Milhous, Judith / Hume, Robert D. | OUP Oxford | 1995³â 01¿ù
    344,660¿ø (5% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 10,340¿ø
    This interdisciplinary study of opera and ballet at the King's Theatre in London attempts to make artistic and financial sense of a distinguished company that went spectacularly bankrupt, leaving debts that were to haunt opera in London for more than 70 years.
  • Beethoven's Piano Sonata in E, Op. 109

    Beethoven's Piano Sonata in E, Op. 109 [ , POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    Marston, Nicholas | OUP Oxford | 1995³â 01¿ù
    272,520¿ø (5% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 8,180¿ø
    In this book on Beethoven's Piano Sonata in E, Op. 109, Nicholas Marston combines source studies and a Schenkerian analytical approach to produce one of the most extensive and detailed studies of a Beethoven piano sonata ever published. The study ...
  • Handel and His Singers: The Creation of the Royal Academy Operas, 1720-1728

    Handel and His Singers: The Creation of the Royal Academy Operas, 1720-1728 The Creation of the Royal Academy Operas, 1720-1728 [ , POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    Larue, C. Steven | OUP Oxford | 1995³â 01¿ù
    240,460¿ø (5% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 7,220¿ø
    From the early 18th century until the present day, opera seria as practised by Handel and his contemporaries has been the subject of satire and even derision for its dramatic artifice and virtuosic displays. Close examination of Handel's autograph...
  • Russians on Russian Music, 1830 1880: An Anthology

    Russians on Russian Music, 1830 1880: An Anthology An Anthology [ , POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    Campbell, Stuart / Stuart, Campbell | Cambridge University Press | 1994³â 01¿ù
    165,110¿ø (5% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 4,960¿ø
    Tchaikovsky not only composed, he also wrote about music. This substantial anthology of Russian writing on Russian music features the most influential critics of music in nineteenth-century Russia.
  • Richard Wagner: Die Meistersinger Von Nurnberg

    Richard Wagner: Die Meistersinger Von Nurnberg [ , POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    Warrack, John | Cambridge University Press | 1994³â 01¿ù
    206,790¿ø (5% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 6,210¿ø
    This book presents a lively and informative account of Die Meistersinger von NÜ rnberg, including its literary sources and the evolution of the text from a light comic opera into its final form. John Warrack examines the music and historical ...
  • Music Therapy: Intimate Notes

    Music Therapy: Intimate Notes [ POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    Pavlicevic, Mercedes | Jessica Kingsley Publishers | 1999³â 01¿ù
    44,800¿ø (5% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 1,350¿ø
    The stories and reflections in this book describe powerful encounters between nine music therapists and their clients. These clients include four-year-old Giorgios, who is terminally ill; Wendy, a passionate, battered child who has been rejected b...
  • Schenker's Argument and the Claims of Music Theory

    Schenker's Argument and the Claims of Music Theory [ , POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    Blasius, Leslie David | Cambridge University Press | 1996³â 01¿ù
    198,780¿ø (5% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 5,970¿ø
    This series is designed for those absorbed by the theoretical and intellectual issues of music, whether as historians of ideas, as practical analysts, or as theoreticians.
  • Mozart: Clarinet Concerto

    Mozart: Clarinet Concerto [ , POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    Lawson, Colin | Cambridge University Press | 1996³â 01¿ù
    136,250¿ø (5% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 4,090¿ø
    Mozart's Clarinet Concerto is of supreme importance as his last instrumental work. Yet there is a number of special problems surrounding the piece, since the autograph is lost and the unique instrument for which it was written has not survived.
  • Putting Popular Music in Its Place

    Putting Popular Music in Its Place [ , POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    Hamm, Charles / Charles, Hamm | Cambridge University Press | 1995³â 01¿ù
    198,780¿ø (5% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 5,970¿ø
    This volume of essays by the distinguished musicologist Charles Hamm focuses on the context of popular music and its interrelationships with other styles and genres, including classical music, the meaning of popular music for audiences, and the in...
  • Opera and the Enlightenment

    Opera and the Enlightenment [ , POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    Bauman, Thomas / McClymonds, Marita P. / Thomas, Bauman | Cambridge University Press | 1995³â 01¿ù
    165,110¿ø (5% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 4,960¿ø
    This is the first collection of essays to explore the wide dimensions and influence of eighteenth-century opera. In a series of fresh articles by leading scholars in the field, new perspectives are offered on the important figures of the day, incl...
  • Introduction to the Art of Singing by Johann Friedrich Agricola

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    Introduction to the Art of Singing by Johann Friedrich Agricola [ Hardcover, POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    Aricola, Johann Friedrich / Tosi, Pier Francesco / Agricola, Johann Friedrich | Cambridge University Press | 1995³â 05¿ù
    272,520¿ø (5% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 8,180¿ø
    This present edition, translated with introduction and annotations by the celebrated singer Julianne Baird, makes Agricola's work available for the first time in English.
  • Music in Eighteenth-Century Austria

    Music in Eighteenth-Century Austria [ , POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    Jones, David Wyn | Cambridge University Press | 1996³â 01¿ù
    165,110¿ø (5% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 4,960¿ø
    The music of Haydn, Mozart and Beethoven forms a cornerstone of the modern repertoire, but very little is known about the context in which these composers worked. This volume of twelve essays by leading international scholars covers some of the mu...
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