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  • Hand-Made Television

    ¼öÀÔ
    Hand-Made Television Stop-Frame Animation for Children in Britain, 1961-1974 [ Perfect,eng, POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    R. Moseley | Springer Nature B.V. | 2023³â 01¿ù
    64,100¿ø (5% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 1,930¿ø
    Hand-Made Television explores the ongoing enchantment of many of the much-loved stop-frame children's television programmes of 1960s and 1970s Britain. The first academic work to analyse programmes such as Pogles' Wood (1966), Clangers (1969), Bagpuss (1974) (Smallfilms) and Gordon Murray's Camberwi...
  • Discovering Short Films

    ¼öÀÔ
    Discovering Short Films The History and Style of Live-Action Fiction Shorts [ Perfect,eng, POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    C. Felando | Springer Nature B.V. | 2017³â 04¿ù
    64,100¿ø (5% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 1,930¿ø
    As film history's oldest and one of today's most prominent forms, the live-action short film has both historical and contemporary significance. Felando discusses the historical significance of the short film, identifies the fiction short's conventions, and offers two general research categories: the...
  • Literature, Film, and Their Hideous Progeny

    ¼öÀÔ
    Literature, Film, and Their Hideous Progeny Adaptation and ElasTEXTity [ Perfect,eng, POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    Julie Grossman | Springer Nature B.V. | 2017³â 06¿ù
    64,100¿ø (5% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 1,930¿ø
    This book posits adaptations as 'hideous progeny,' Mary Shelley's term for her novel, Frankenstein . Like Shelley's novel and her fictional Creature, adaptations that may first be seen as monstrous in fact compel us to shift our perspective on known literary or film works and the cultures that gave ...
  • Ireland and Cinema

    ¼öÀÔ
    Ireland and Cinema Culture and Contexts [ Perfect,eng, POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    Barry Monahan | Springer Nature B.V. | 2017³â 06¿ù
    64,100¿ø (5% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 1,930¿ø
    The volume offers a broad range of academic approaches to contemporary and historical Irish filmmaking and representations of nationality, national identity, and theoretical questions around the construction of Ireland and Irishness on the screen.
  • Eric Rohmer

    ¼öÀÔ
    Eric Rohmer Film as Theology [ Perfect,eng, POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    K. Tester | Springer Nature B.V. | 2008³â 02¿ù
    64,100¿ø (5% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 1,930¿ø
    Since the 1950s Eric Rohmer has been one of the major presences in French cinema as critic and director. This book is a sophisticated engagement with his work in which Keith Tester argues that Rohmer is not the naIve realist he is often claimed to be. Instead, his films are revealed as a sustained e...
  • Narrative Strategies in Television Series

    ¼öÀÔ
    Narrative Strategies in Television Series [ Perfect,eng, POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    G. Allrath | Springer Nature B.V. | 2005³â 08¿ù
    64,100¿ø (5% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 1,930¿ø
    In the context of a systematic overview of the possibilities of applying narratological concepts to a study of TV series, ten case studies are explored in depth, demonstrating how series such as 24, Buffy, Twin Peaks, Star Trek, Blackadder, and Sex and the City make use of innovative audiovisual mea...
  • Filming Shakespeare in the Global Marketplace

    ¼öÀÔ
    Filming Shakespeare in the Global Marketplace [ Perfect,eng, POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    M. Burnett | Springer Nature B.V. | 2007³â 01¿ù
    64,100¿ø (5% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 1,930¿ø
    This exciting new title investigates the explosion of Shakespeare films during the 1990s and beyond. Linking fluctuating 'Shakespeares' with the growth of a global marketplace, the dissolution of national borders and technological advances, this book produces a fresh awareness of our contemporary cu...
  • Theorizing Desire

    ¼öÀÔ
    Theorizing Desire From Freud to Feminism to Film [ Perfect,eng, POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    K. Gorton | Springer Nature B.V. | 2008³â 03¿ù
    64,100¿ø (5% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 1,930¿ø
    What is the nature of desire? This book gives an accessible introduction to the concept, and a coherent critique of the competing theories of desire within contemporary theory. Through analysis of representations of desire in television and film, it considers ways in which the concept is theorized a...
  • American Protestants and TV in the 1950s

    ¼öÀÔ
    American Protestants and TV in the 1950s Responses to a New Medium [ Perfect,eng, POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    M. Rosenthal | Springer Nature B.V. | 2016³â 02¿ù
    64,100¿ø (5% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 1,930¿ø
    Americans in the 1950s faced the challenge of negotiating the new medium's place in the home and in American culture in general. Using the American Protestant experience of the introduction of television, Rosenthal illustrates the importance of the interplay between a new medium and its users.
  • Satyajit Ray's The Chess Players and Postcolonial Film Theory

    ¼öÀÔ
    Satyajit Ray's The Chess Players and Postcolonial Film Theory Postcolonialism and Film Theory [ Perfect,eng, POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    Reena Dube | Springer Nature B.V. | 2005³â 05¿ù
    64,100¿ø (5% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 1,930¿ø
    Indispensable for students of film studies, in this book Reena Dube explores Satyajit Ray's films, and The Chess Players in particular, in the context of discourses of labour in colonial and postcolonial conditions. Starting from Daniel Defoe and moving through history, short story and film to the p...
  • American Television on British Screens

    ¼öÀÔ
    American Television on British Screens A Story of Cultural Interaction [ Perfect,eng, POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    P. Rixon | Springer Nature B.V. | 2006³â 05¿ù
    64,100¿ø (5% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 1,930¿ø
    This work explores how American programmes have become an important part of British television culture since the 1950's, moving from schedule fillers to cornerstones and 'must see' attractions. The book analyses popular and industrial discourses, the changing roles of such programmes on British scre...
  • Big Brother

    ¼öÀÔ
    Big Brother Reality TV in the Twenty-First Century [ Perfect,eng, POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    J. Bignell | Springer Nature B.V. | 2005³â 11¿ù
    64,100¿ø (5% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 1,930¿ø
    Jonathan Bignell presents a wide-ranging analysis of the television phenomenon of the early twenty-first century: Reality TV, exploring its cultural and political meanings, explaining the genesis of the form and its relationship to contemporary television production, and considering how it connects ...
  • The Fascination of Film Violence

    ¼öÀÔ
    The Fascination of Film Violence [ Perfect,eng, POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    Henry Bacon | Springer Nature B.V. | 2015³â 04¿ù
    64,100¿ø (5% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 1,930¿ø
    The Fascination of Film Violence is a study of why fictional violence is such an integral part of fiction film. How can something dreadful be a source of art and entertainment? Explanations are sought from the way social and cultural norms and practices have shaped biologically conditioned violence ...
  • Children in the Films of Alfred Hitchcock

    ¼öÀÔ
    Children in the Films of Alfred Hitchcock [ Perfect,eng, POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    Debbie Olson | Springer Nature B.V. | 2016³â 02¿ù
    64,100¿ø (5% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 1,930¿ø
    Children and youth perform both innocence and knowingness within Hitchcock's complex cinematic texts. Though the child often plays a small part, their significance - symbolically, theoretically, and philosophically - offers a unique opportunity to illuminate and interrogate the child presence within...
  • Women and Death in Film, Television, and News

    ¼öÀÔ
    Women and Death in Film, Television, and News Dead but Not Gone [ Perfect,eng, POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    Kenneth A. Loparo | Springer Nature B.V. | 2016³â 04¿ù
    64,100¿ø (5% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 1,930¿ø
    Dead women litter the visual landscape of the 2000s. In this book, Clarke Dillman explains the contextual environment from which these images have arisen, how the images relate to (and sometimes contradict) the narratives they help to constitute, and the cultural work that dead women perform in visu...
  • Human Rights Film Festivals

    ¼öÀÔ
    Human Rights Film Festivals Activism in Context [ Perfect,eng, POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    Sonia M. Tascon | Springer Nature B.V. | 2015³â 01¿ù
    64,100¿ø (5% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 1,930¿ø
    Human rights film festivals have been steadily growing in number in recent years. They are all bound by a common thread, human rights, and yet show distinctly different films.
  • Meta-Narrative in the Movies

    ¼öÀÔ
    Meta-Narrative in the Movies Tell Me a Story [ Perfect,eng, POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    J. Kupfer | Springer Nature B.V. | 2014³â 07¿ù
    64,100¿ø (5% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 1,930¿ø
    Meta-Narrative in the Movies investigates narrative theory through close analysis of films featuring stories and storytelling. The cinematic interpretations investigate the role of story creation in knowing ourselves and planning our future, in structuring social relationships, and in sharpening our...
  • Doubling, Distance and Identification in the Cinema

    ¼öÀÔ
    Doubling, Distance and Identification in the Cinema [ Perfect,eng, POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    P. Coates | Springer Nature B.V. | 2015³â 01¿ù
    64,100¿ø (5% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 1,930¿ø
    This book argues theoretically for, and exemplify through critical and historical analysis, the interrelatedness of discourses on scale, distance, identification and doubling in the cinema. It contains analyses of a wide variety of films, including Citizen Kane, The Double Life of Veronique, The Gre...
  • Sex and Film

    ¼öÀÔ
    Sex and Film The Erotic in British, American and World Cinema [ Perfect,eng, POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    B. Forshaw | Springer Nature B.V. | 2015³â 02¿ù
    64,100¿ø (5% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 1,930¿ø
    Sex and Film is a frank, comprehensive analysis of the cinema's love affair with the erotic. Forshaw's lively study moves from the sexual abandon of the 1930s to filmmakers' circumvention of censorship, the demolition of taboos by arthouse directors and pornographic films, and an examination of how ...
  • Classical Masculinity and the Spectacular Body on Film

    ¼öÀÔ
    Classical Masculinity and the Spectacular Body on Film The Mighty Sons of Hercules [ Perfect,eng, POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    D. O'Brien | Springer Nature B.V. | 2014³â 10¿ù
    64,100¿ø (5% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 1,930¿ø
    The muscle-bound male body is a perennial feature of classically-inflected action cinema. This book reassesses these films as a cinematic form, focusing on the depiction of heroic masculinity. In particular, Hercules in his many incarnations has greatly influenced popular cultural interpretations of...
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