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  • Performing Shakespeare's Tragedies Today

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    Performing Shakespeare's Tragedies Today The Actor's Perspective [ Paperback, POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    Dobson, Michael (Professor of Shakespeare Studies, Birkbeck College, University of London)(EDT) | Cambridge University Press | 2006³â 12¿ù
    64,730¿ø (5% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 1,950¿ø
    What does it mean to perform Shakespeare's Elizabethan and Jacobean tragedies in the modern theatre? This book brings together the reflections of a number of major classical actors, including Sir Antony Sher, Samuel West and Imogen Stubbs, on how these works can most powerfully be realized for today...
  • The Cambridge Introduction to Tragedy

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    The Cambridge Introduction to Tragedy [ Hardcover, POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    Wallace, Jennifer | Cambridge University Press | 2007³â 05¿ù
    99,480¿ø (5% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 2,990¿ø
    This introduction offers an overview of tragic drama from the ancient Greeks, through Shakespeare, Racine and Ibsen, and to the present day. It explores the definition of 'tragedy', as it has been discussed by philosophers, and includes chapters on the Greeks, Shakespeare, Ibsen, Chekhov, post-colon...
  • Performing Shakespeare's Tragedies Today

    ¼öÀÔ
    Performing Shakespeare's Tragedies Today The Actor's Perspective [ Hardcover, POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    Dobson, Michael | Cambridge University Press | 2006³â 12¿ù
    120,030¿ø (5% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 3,610¿ø
    What does it mean to perform Shakespeare's Elizabethan and Jacobean tragedies in the modern theatre? This book brings together the reflections of a number of major classical actors, including Sir Antony Sher, Samuel West and Imogen Stubbs, on how these works can most powerfully be realized for today...
  • Origins Theater Anc Greece Beyond

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    Origins Theater Anc Greece Beyond From Ritual to Drama [ Hardcover, POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    Csapo, Eric / Miller, Margaret C. | Cambridge University Press | 2007³â 01¿ù
    219,520¿ø (5% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 6,590¿ø
    The Origins of Theater in Ancient Greece and Beyond examines the evidence for the pre-history and origin of drama. The book brings together seventeen essays by leading scholars in a variety of fields, including classical archaeology, iconography, cultural history, theater history, philosophy, and re...
  • The Whole Art of Ventriloquism

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    The Whole Art of Ventriloquism [ Paperback, POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    Prince, Arthur | Hesperides Press | 2006³â 06¿ù
    48,940¿ø (5% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 1,470¿ø
    This antiquarian book contains a detailed and novice-friendly guide to ventriloquism, with information on voice exercises, selecting dummies, common techniques and tricks, performing, sketches, and much more. Written in clear, plain language and full of helpful diagrams, this volume is perfect for a...
  • Scripts and Scenarios

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    Scripts and Scenarios The Performance of Comedy in Renaissance Italy [ Paperback, POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    Andrews, Richard (University of Leeds) | Cambridge University Press | 2007³â 03¿ù
    74,210¿ø (5% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 2,230¿ø
    This book examines the scripted stage comedies of the Italian Renaissance, highlighting their relatively unexplored links with improvised commedia dell'arte and thus exploring in a new way a crucial phase in the development of European theatre.
  • Not Shakespeare

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    Not Shakespeare Bardolatry and Burlesque in the Nineteenth Century [ Paperback, POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    Schoch, Richard W. (Queen Mary University of London) | Cambridge University Press | 2006³â 11¿ù
    74,210¿ø (5% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 2,230¿ø
    This study of nineteenth-century Shakespeare burlesques explores the paradox that plays which are manifestly 'not Shakespeare' purport to be the most genuinely Shakespearean of all. The book brings together archival research, rare photographs and illustrations, close readings of burlesque scripts an...
  • An Index of Characters in Early Modern English Drama

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    An Index of Characters in Early Modern English Drama Printed Plays, 1500-1660 [ Paperback, POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    Sondergard, Sidney L. | Cambridge University Press | 2006³â 11¿ù
    82,100¿ø (5% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 2,470¿ø
    This is an invaluable reference to all the characters who appear in English drama from 1500 to 1660. The book indexes well over a thousand printed plays, listing characters' names, character types, nationalities, military ranks, psychological states, occupations and professions.
  • The Meiningen Court Theatre 1866-1890

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    The Meiningen Court Theatre 1866-1890 [ Paperback, POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    Osborne, John (University of Warwick) | Cambridge University Press | 2007³â 01¿ù
    56,830¿ø (5% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 1,710¿ø
    During the late nineteenth century a remarkable combination of circumstances and individual talents permitted the Court theatre of a small German state to become the theatrical sensation of its age. The Meiningen Court Theatre developed into an international touring company under the leadership of D...
  • The American Stage and the Great Depression

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    The American Stage and the Great Depression A Cultural History of the Grotesque [ Paperback, POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    Fearnow, Mark (Pennsylvania State University) | Cambridge University Press | 2007³â 02¿ù
    69,470¿ø (5% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 2,090¿ø
    This book proposes a correlation between the divided 'mind' of America during the Depression and popular stage works of the era, which are interpreted as theatrical reflections of Depression culture's sense of being trapped between a discredited past and a nightmarish future.
  • Theatre Culture in America, 1825-1860

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    Theatre Culture in America, 1825-1860 [ Paperback, POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    Bank, Rosemarie K. (Kent State University, Ohio) | Cambridge University Press | 2007³â 02¿ù
    121,600¿ø (5% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 3,650¿ø
    Examines how Americans staged their cultures in the decades before the Civil War and advances the idea that cultures are performances which take place both inside and outside of playhouses.
  • Eroticism on the Renaissance Stage

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    Eroticism on the Renaissance Stage Transcendence, Desire, and the Limits of the Visible [ Paperback, POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    Daileader, Celia R. (University of Alabama) | Cambridge University Press | 2006³â 12¿ù
    90,020¿ø (5% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 2,710¿ø
    In this 1998 book, Celia Daileader explores paradoxes of eroticism on the early modern English stage, where women were materially absent but symbolically central. She draws an analogy with the suppression of religious drama in England and draws together questions about the bodies - of Christ and of ...
  • Theatre, Finance and Society in Early Modern England

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    Theatre, Finance and Society in Early Modern England [ Paperback, POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    Leinwand, Theodore B. (University of Maryland, College Park) | Cambridge University Press | 2006³â 12¿ù
    90,020¿ø (5% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 2,710¿ø
    This interesting study examines plays, historical narratives and biographical accounts, to discover how people coped with the exigencies of credit, debt, mortgaging and capital ventures in early modern England. Plays by Shakespeare and his contemporaries are paired with writings about the finances o...
  • The French Revolution and the London Stage, 1789-1805

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    The French Revolution and the London Stage, 1789-1805 [ Paperback, POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    Taylor, George (University of Manchester) | Cambridge University Press | 2006³â 12¿ù
    56,830¿ø (5% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 1,710¿ø
    This 2001 book looks at how British drama and popular entertainment were affected by the ideas and events of the French Revolution and Napoleonic Wars. By a cultural analysis of the popular entertainment and theatre performances of the eighteenth and nineteenth centuries it reveals issues of ideolog...
  • The Profession of the Playwright

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    The Profession of the Playwright British Theatre, 1800-1900 [ Paperback, POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    Stephens, John Russell | Cambridge University Press | 2006³â 12¿ù
    56,830¿ø (5% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 1,710¿ø
    This book examines the working world of the playwright in nineteenth-century Britain.
  • Performing Shakespeare in the Age of Empire

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    Performing Shakespeare in the Age of Empire [ Paperback, POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    Foulkes, Richard (University of Leicester) | Cambridge University Press | 2006³â 12¿ù
    56,830¿ø (5% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 1,710¿ø
    In this book Richard Foulkes explores the political and social uses of Shakespeare through the nineteenth and into the twentieth century and the movement from the business of Shakespeare as enterprise to cultural icon. An examination of leading Shakespearean actors, managers and directors is also in...
  • August Strindberg: Selected Essays

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    August Strindberg: Selected Essays Selected Essays [ Paperback, POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    Strindberg, August | Cambridge University Press | 2006³â 12¿ù
    74,210¿ø (5% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 2,230¿ø
    This is a fully edited translation of a series of essays by the great Swedish dramatist August Strindberg. The essays, edited and translated by Michael Robinson, have been selected for the light they shed, both directly and indirectly, on Strindberg's contribution to the European theatre.
  • Strike Up the Band: A New History of Musical Theatre

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    Strike Up the Band: A New History of Musical Theatre A New History of Musical Theatre [ Paperback ]
    Miller, Scott | Heinemann Drama | 2006³â 11¿ù
    40,350¿ø (18% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 2,020¿ø
  • Women and Victorian Theatre

    ¼öÀÔ
    Women and Victorian Theatre [ Paperback, POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    Powell, Kerry (Miami University) | Cambridge University Press | 2007³â 02¿ù
    72,620¿ø (5% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 2,180¿ø
    In this book Kerry Powell chronicles the development of women's participation as playwrights, actresses and managers and explores the making of the Victorian actress, gender and playwriting of the period, and the contributions these made to developments in the following century.
  • Drama and Politics in the English Civil War

    ¼öÀÔ
    Drama and Politics in the English Civil War [ Paperback, POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    Wiseman, Susan (University of Warwick) | Cambridge University Press | 2006³â 11¿ù
    58,410¿ø (5% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 1,760¿ø
    In 1642 an ordinance closed the theatres of England. Historians have assumed that the edict was to be firm and inviolate. Susan Wiseman challenges this assumption and argues that the period 1640 to 1660 was not a gap in the production and performance of drama. Rather, writers focused instead on a ra...
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