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µµ³ª ÈľÓÄ«(b.1980)´Â ȸȭ, Á¶°¢, ¼Ò¸®, Çâ±â, ÆÛÆ÷¸Õ½º¸¦ °áÇÕÇÑ ¼³Ä¡·Î »õ·Î¿î °ø°£°¨°ú ¸í»óÀûÀÎ °æÇèÀ» âÁ¶ÇÑ´Ù. º¼¸®ºñ¾Æ°è ¹Ì±¹ÀÎÀ¸·Î ¾î¸± Àû °æÇèÇÑ µÎ ¹®È­±ÇÀÇ Â÷ÀÌ, ¿©¸§Ã¶ ½Ã°£À» º¸³»´ø º¼¸®ºñ¾ÆÀÇ Áö¿ª ÃàÁ¦´Â ÀÛ°¡°¡ ¼¼»óÀ» º¸°í Ç¥ÇöÇÏ´Â ¹æ½Ä¿¡ ÀÚ¾çºÐÀÌ µÇ¾ú´Ù. µµ³ª ÈľÓÄ«´Â ¹Ì¼ú»ç¿¡ »õ°ÜÁ®¿Â ¿©¼ºÀÇ ¿¬¾àÇÑ À̹ÌÁö¿¡ Àü¸éÀ¸·Î ¹Ý¹ÚÇϸç, Àü»ç¿Í °°Àº ¿©¼ºÀÇ °­ÀÎÇÑ À̹ÌÁö¸¦ ³»¼¼¿î´Ù. ÁÖ·Î ¿©¼ºÀ¸·Î ±¸¼ºµÇ´Â ÆÛÆ÷¸Õ½ºÀÇ ¸ðµ¨µéÀº ÀÛ°¡°¡ ¸ö À§¿¡ Á÷Á¢ ±×¸° ¹Ùµð ÆäÀÎÆÃÀ» µÎ ¹ø° ÇǺÎó·³ °ÉÄ¡°í ȸȭ¿Í Á¶°¢ »çÀÌ¿¡¼­ ÀÛ°¡·ÎºÎÅÍ ÁÖ¾îÁø ÃÖ¼ÒÇÑÀÇ ¹æÇâ¿¡ µû¶ó ÆÛÆ÷¸Õ½º¸¦ ¼öÇàÇÑ´Ù. ÀÛ°¡´Â ¸ðµ¨µéÀÇ À̸§°ú ¼ö±â¸¦ ¸ðÀ¸°í, ÆÛÆ÷¸Õ½º ±â°£µ¿¾È ÂïÀº À̵éÀÇ »çÁøÀ» ´ÙÀ½ ȸȭ ÀÛ¾÷ÀÇ ¹ÙÅÁÀ¸·Î ²ø¾î¿À´Â µî ¿©¼º¿¡°Ô Àü½Ã¸¦ ±¸¼ºÇÏ´Â °­·ÂÇÑ ÁÖü¼ºÀ» ºÎ¿©ÇÑ´Ù.

Donna Huanca(b.1980) creates a new sense of space and meditative experience with an installation that combines painting, sculpture, sound, and performance. As a Bolivian-American, the difference between the two cultures she experienced as a child and the local festival in Bolivia she spent every summer became nourished in the way she saw and expressed the world. Donna Huanca completely refutes the fragile image of women engraved in art history and presents a strong image of women as warriors. Models of performance, mainly composed of women, wear body paintings drawn directly on the body like a second skin and perform according to the minimum direction given by the artist among the paintings and sculptures. She gives women a strong subjectivity to compose the exhibition by collecting the names and notes of the models and bringing photos of them taken during the performance to the next painting work.
 
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